Category Archives: Film & TV industry data

Freelancers and the welfare system

Posted on July 14, 2023 by Paul Evans

This site has carried plenty of posts about freelancing and employment status, tax status, their pension status, and it probably needs a bit more on the generality of freelancing. We often debate whether ‘freelancer’ is even a thing. It doesn’t … Continue reading →

Posted in Employment Law and Rights, Employment status, Equipment and kit, Freelance working, Freelancer rights, Gig economy workers, IR35, Management, Personal Service Companies, Productivity, Skills & capacity, Tax, Universal Credit, Welfare and benefits, Wellbeing, Work-life balance | Tagged , , | Comments Off on Freelancers and the welfare system

Film and TV drama healthcheck (plus a footnote about distribution ‘windows’ and cinemas).

Posted on July 12, 2023 by Paul Evans

It’s been a bad few weeks for cinemas in the UK with Empire Cinemas putting a number of their companies into administration – closing six of its 14 cinemas (Bishops Stortford, Catterick Garrison, Sunderland, Swindon, Walthamstow, Wigan) and a further … Continue reading →

Posted in Cinema exhibition, Economics, Feature film data, Film & TV industry data, Film & TV industry policy, High End TV data, Low budget features, SVoD | Tagged , , , | Comments Off on Film and TV drama healthcheck (plus a footnote about distribution ‘windows’ and cinemas).

Bectu Assistant Editors Toolkit published

Posted on May 5, 2023 by Paul Evans

Bectu’s Post Production & Facilities Branch have published an Assistant Editor’s Toolkit, a new professional resource to support Editorial Trainees and Assistant Editors’ career development in the cutting room.It includes a Skills Guide – a comprehensive document to keep track … Continue reading →

Posted in Film & TV industry data, Freelance working, Health & Safety, Long hours, Mental Health, Safe working practices, Skills & capacity, Trades Unions, Wellbeing, Work-life balance | Tagged , , | Leave a comment

The Broadcast Indie Survey 2023

Posted on April 17, 2023 by Paul Evans

The Broadcast Indie Survey 2023 is out [£] and I’ve given it a quick scan. Here are the highlights: Fragile confidence I you had to sum up the industry’s future outlook based on Broadcast Magazine’s 2023 Indie Survey in one … Continue reading →

Posted in BBC, Employment, Film & TV industry data, Film & TV industry policy, High End TV data, Low budget productions, Post-production, Public Service Broadcasting, Skills & capacity, UK studios | Tagged , | Leave a comment

How to make flexible working work within the film and television industry

Posted on April 3, 2023 by Paul Evans

In 2022 Timewise and BECTU Vision came together to explore how flexible working could work on scripted productions, funded by Screen Scotland. You can read the report and findings by clicking here and download the PDF here. The report highlighted that … Continue reading →

Posted in Feature film data, Film & TV industry data, Film & TV industry policy, High End TV data, Long hours | Tagged , | Leave a comment

The state of the UK film and TV economy

Posted on February 6, 2023 by Paul Evans

I occasionally get asked for updates on the general state of the UK film and TV sector, and I can usually reply offering a few links which general readers may find useful. My first, and most current link would be … Continue reading →

Posted in Culture policy, Economics, Factual & Entertainment sector data, Feature film data, Film & TV industry data, Film & TV industry policy, High End TV data, Low budget features, Quotas, Regulation, Skills & capacity, SVoD, Tax incentives, TV Advertising, UK studios | Tagged , | Leave a comment

“Emotional Tax” of being on guard against racial bias

Posted on January 30, 2023 by Paul Evans

Bectu works in sectors of the economy that are all suffering skills shortages which are, in turn, exacerbated by retention problems. With this in mind, this research is particularly interesting. Summarising it, the LSE blog says… “Being on high alert … Continue reading →

Posted in Bullying and Harassment, Diversity of representation, Gender representation, Management, Race equality, Skills & capacity, Workplace conflict | Tagged , , | Leave a comment

Getting your own film exhibited

Posted on November 2, 2022 by Paul Evans

This is a useful bookmark for anyone who has made a film and wants it distributed. The Independent Cinema Office is a charity designed for people who are looking to establish small cinemas, or exhibit low-budget self-produced films,

Posted in Cinema exhibition, Film & TV industry policy, Low budget features, Low budget productions | Tagged , | Leave a comment

UK independent productions, the inflation punch-in-the-mouth, and the very European remedies.

Posted on October 10, 2022 by Paul Evans

The boxer, Mike Tyson, was once asked about his plan for a fight and he answered; “Everyone has a plan until they get punched in the mouth.” Economists have a variation on that line: “Everyone has a plan until inflation … Continue reading →

Posted in EU & Brexit, Feature film data, Film & TV industry data, Film & TV industry policy, High End TV data, Low budget features, Public Service Broadcasting, Quotas, Regulation, Skills & capacity, SVoD, Tax incentives, UK studios | Tagged , , , , | Leave a comment

Alliance of Documentary Editors guidance on production scheduling.

Posted on September 1, 2022 by Paul Evans

The US-based ‘Alliance of Documentary Editors’ (ADE) describes itself as “…a working group of documentary film and television editors and assistant editors nationwide that campaigns for best practices within the industry while improving members’ career sustainability. The ADE promotes a … Continue reading →

Posted in Factual & Entertainment sector data, Freelance working, Long hours, Work-life balance | Tagged , | Leave a comment

UK economic outlook – forecasts downgraded – what this means for freelancers

Posted on June 9, 2022 by Paul Evans

Unless someone tells me otherwise, it seems that the biggest issue for many freelancers arising from the cost-of-living crisis is the question of rising fuel costs – and this is likely to hit workers in film and TV particularly hard … Continue reading →

Posted in Film & TV industry data, Freelance working, Inflation, Pay & inflation, Tax, Wages and Pay-rates | Tagged , | Leave a comment

BFC Working Safety During CoViD-19 Guidance

Posted on May 16, 2022 by Paul Evans

Here is the latest version of the British Film Commission guidance on this issue [pdf] (posted without comment).

Posted in Coronavirus, Coronavirus, Feature film data, Health & Safety, High End TV data, Low budget features, Safe working practices, Safe working standards | Tagged | Leave a comment

Broadcasting White Paper published

Posted on April 28, 2022 by Paul Evans

The DCMS has published its Broadcasting White Paper promising “a new golden age of programming” with changes to regulations on SVoDs, sports rights, and the privatisation of Channel 4. One change is that C4 will be able to start producing … Continue reading →

Posted in BBC, Film & TV industry data, Film & TV industry policy, High End TV data, Public Service Broadcasting, SVoD | Tagged , , , , | Leave a comment

Bectu ‘Live to Work’ campaign launched

Posted on April 27, 2022 by Paul Evans

Bectu has launched the Live to Work campaign aimed at improving terms and conditions in the UK TV drama industry. You can visit the campaign page here and join the network (open to members and non-members), download images to use … Continue reading →

Posted in Bectu Agreements, Film & TV industry policy, Freelance working, High End TV data, Long hours, Safe working practices, Safe working standards, TV Drama Agreement, Wellbeing, Work-life balance | Tagged , | Leave a comment

Demand for UK studio space v Netflix subscriber drop

Posted on April 21, 2022 by Paul Evans

Two stories passing each other in this week’s newspapers. Firstly, a good fact-packed briefing from The Times [£] on how demand for studio space is multiplying at the moment, to meet the demands of SVoD productions: “UK production spend is … Continue reading →

Posted in Film & TV industry data, SVoD, Tax incentives | Tagged , , | Leave a comment

Understanding commuting costs – some bookmarks

Posted on April 19, 2022 by Paul Evans

For freelancers working either in film and TV, or in Live Events, there is often no option to use public transport to get to work. For a typical filming day, Bectu members tell us that they tend to arrive at … Continue reading →

Posted in Feature film data, Film & TV industry data, Film & TV industry policy, Freelance working, High End TV data, Long hours, Safe working practices, UK studios, Work-life balance | Tagged , , | 1 Comment

Fatigue in the TV and film industy

Posted on March 28, 2022 by Paul Evans

There’s a useful summary of this issue on the IOSH magazine website here. It’s got a lot of the kind of thing you’d expect (including a quote from our own Spencer MacDonald). And this: “Research says that when an employee … Continue reading →

Posted in Feature film data, Film & TV industry data, High End TV data, Long hours, Safe working practices, Safe working standards, Wellbeing, Work-life balance, Workplaces | Tagged , , , | Leave a comment

Skills shortages in film & TV – update

Posted on March 16, 2022 by Paul Evans

There’s a useful roundup in the i-Paper showing the scale of the studio expansion and growing physical production capacity that the UK has, in contrast to the roster of available skills which will leave an estimated “40,000 workers needed to … Continue reading →

Posted in Feature film data, Film & TV industry data, Film & TV industry policy, High End TV data, Quotas, Skills & capacity, SVoD, Tax incentives, UK studios | Tagged , | Leave a comment

Bectu Mental Health and Welbeing Policy published

Posted on February 24, 2022 by Paul Evans

This was an idea that came from Bectu members during the pandemic. We did a load of online sessions discussing different aspects of the question “what is wrong with ‘the freelance deal’?” and there was a repeated refrain saying “our … Continue reading →

Posted in Feature film data, Film & TV industry data, Film & TV industry policy, Freelance working, Freelancer rights, Health & Safety, High End TV data, Long hours, Management, Mental Health, Safe working practices, Safe working standards, Wellbeing, Work-life balance | Tagged | Leave a comment

Looking Glass ’21 report

Posted on February 16, 2022 by Paul Evans

The Film and TV Charity have published their Looking Glass ’21 report. This is a follow-up from their research in 2019 into working conditions in the film and TV industry, and how these impact workers based on responses from more … Continue reading →

Posted in Coronavirus, Film & TV industry data, Freelance working, Health & Safety, Long hours, Management, Mental Health, Skills & capacity, Wellbeing, Work-life balance | Tagged , | Leave a comment

Shepperton update: Now Prime Video have agreed a deal.

Posted on February 9, 2022 by Paul Evans

Further to a recent post here about Shepperton (which outlined the way that Netflix were treating the studio as it’s UK production base), The Pinewood Group (Shepperton’s owners) have today confirmed that the new facilities under development will be given … Continue reading →

Posted in Film & TV industry policy, High End TV data, SVoD, Tax incentives, UK studios | Tagged , , , , , | Leave a comment

Production growing in the nations and regions

Posted on January 19, 2022 by Paul Evans

Back in September, I posted here about The Pact Census (as carried out by Oliver and Ohlbaum). I’ve been meaning to pull out something about the impact on regional production from that for a while. So here goes. Pact chose … Continue reading →

Posted in BBC, Factual & Entertainment sector data, Film & TV industry data, High End TV data, Public Service Broadcasting, Skills & capacity, Tax incentives, UK studios | Tagged , | Leave a comment

Round up – production in the UK

Posted on December 16, 2021 by Paul Evans

Anyone looking for a good roundup of the UK production landscape – investments, studios, facilities, etc, may find this article in KFTV useful. A lot of it has been covered here already, though I’m aware I need to post more … Continue reading →

Posted in Film & TV industry data, Film & TV industry policy, Tax incentives, UK studios | Tagged | Leave a comment

BFI Screen Business report details the scale of the UK production boom

Posted on December 15, 2021 by Paul Evans

Anyone who has any doubts about the size and scale of the UK production boom can have a look at the latest BFI Screen Business report (if the annual Pact Census most recently published in September wasn’t convincing enough!). The … Continue reading →

Posted in BBC, Economics, Factual & Entertainment sector data, Feature film data, Film & TV industry data, Film & TV industry policy, High End TV data, Public Service Broadcasting, Quotas, Skills & capacity, SVoD, Tax incentives, UK studios | Tagged , , , | Leave a comment

Shinfield Studios planning permission granted.

Posted on December 15, 2021 by Paul Evans

Shinfield Studios in Reading is another addition to the UK’s ever-mushrooming production capacity (for details of other recent developments see the UK Studio Watch tag on this site). Located very close the M4 and nearly 5 miles away from the … Continue reading →

Posted in Film & TV industry data, Film & TV industry policy, Skills & capacity, UK studios | Tagged , , | Leave a comment

A distinctly British focus for TV programmes

Posted on December 8, 2021 by Paul Evans

David Tennant has been questioning some of the arguments around demands for ‘distinctly British programmes (or ‘lovely jubbly telly‘ as John Whittingdale didn’t say recently). “Is there some inherent criticism within this plea for more Britishness?” he said in the … Continue reading →

Posted in Diversity of representation, EU & Brexit, Film & TV industry policy, High End TV data, Public Service Broadcasting, Quotas, Regulation, SVoD, Tax incentives | Tagged , | Leave a comment

Stephen Follows research site

Posted on November 29, 2021 by Paul Evans

For anyone who hasn’t already found this at some point, via Google, Stephen Follows runs a fine website full of industry research that answers many questions that you have, and a few you didn’t know you have. Here are some … Continue reading →

Posted in Factual & Entertainment sector data, Feature film data, Film & TV industry data, Gender representation, High End TV data, Low budget features, Skills & capacity | Tagged | Leave a comment

Working terms in Swedish productions

Posted on November 29, 2021 by Paul Evans

It’s always worth looking at how other countries do work hours in the film and TV industry, and it is a commonplace view that the Swedish drama sector manages a high quality of production on working hours that also give … Continue reading →

Posted in Bectu Agreements, Employment Law and Rights, EU & Brexit, Factual & Entertainment sector data, Feature film data, Film & TV industry data, Health & Safety, High End TV data, Long hours, Major Motion Picture Agreement, Productivity, SVoD, Tax incentives, Trades Unions, TV Drama Agreement, Work-life balance | Tagged , , | Leave a comment

BARB to monitor SVoD viewing figures

Posted on November 25, 2021 by Paul Evans

The rapid rise of Streaming Video on Demand (SVoD)  – with 18.8m UK homes (66%) having at least one SVoD account – has been a particularly rough disruption for traditional linear TV broadcasters for two obvious reasons. The first is … Continue reading →

Posted in Film & TV industry data, High End TV data, SVoD, TV Advertising | Tagged | Leave a comment

The Relph Report (2002) on low budget films

Posted on November 24, 2021 by Paul Evans

In 2022, our Copyright Committee will be looking at issues relating to ‘residuals’ – giving workers ‘points’ in films that they work on. Just going through the archives, I’ve found The Relph Report from 2002 [pdf] that talked about how … Continue reading →

Posted in Copyright & Intellectual Property, Economics, Low budget features, Low pay | Leave a comment

Shepperton expansion confirmed – with deeper Netflix ties

Posted on November 19, 2021 by Paul Evans

Further to the previous post about Shepperton Studios here a few months ago, it looks like the support from Spelthorne Council has borne fruit: The Pinewood Group has now announced its decision to further expand Shepperton. This will expand the capacity … Continue reading →

Posted in Feature film data, High End TV data, Skills & capacity, UK studios | Tagged , , , , , , , | Leave a comment

Mark Milsome Foundation on the Rust incident

Posted on November 18, 2021 by Paul Evans

The Mark Milsome Foundation, which was founded following the death of Mark Milsome (a British cinematographer who was killed whilst filming a car stunt in Ghana 18th November 2017) has issued a statement (by email – I can’t find it … Continue reading →

Posted in Film & TV industry data, Health & Safety, Long hours, Safe working practices, Safe working standards | Tagged , , , , | Leave a comment

ITV and SVoD revenues

Posted on November 16, 2021 by Paul Evans

The picture for ITV is a bundle of contradictions. On the one hand, their ad revenues, the FT are reporting [£] that they are rising dramatically and have done well throughout the pandemic. Share prices are climbing accordingly. On the … Continue reading →

Posted in Factual & Entertainment sector data, Film & TV industry data, High End TV data, SVoD, TV Advertising | Tagged | Leave a comment

What is the future for streaming TV?

Posted on November 16, 2021 by Paul Evans

There’s a lot of soul-searching going on in the pages of the FT about the future for streaming TV. Both Netflix and Disney Plus are reporting slowdowns in growth. It’s a bit of an odd one – both have grown … Continue reading →

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Bray Studios expansion agreed

Posted on November 9, 2021 by Paul Evans

Bray Studios – the home of Hammer Horror films – is the latest of the UK’s historic film studios to announce an expansion. Plainly, this growing capacity is good news all round for Bectu members, though there will be mixed … Continue reading →

Posted in Feature film data, High End TV data, Skills & capacity, UK studios | Tagged , , , , , , , | 1 Comment