Category Archives: Film & TV industry policy

Broadcasting White Paper published

Posted on April 28, 2022 by Paul Evans

The DCMS has published its Broadcasting White Paper promising “a new golden age of programming” with changes to regulations on SVoDs, sports rights, and the privatisation of Channel 4. One change is that C4 will be able to start producing … Continue reading →

Posted in BBC, Film & TV industry data, Film & TV industry policy, High End TV data, Public Service Broadcasting, SVoD | Tagged , , , , | Leave a comment

Bectu ‘Live to Work’ campaign launched

Posted on April 27, 2022 by Paul Evans

Bectu has launched the Live to Work campaign aimed at improving terms and conditions in the UK TV drama industry. You can visit the campaign page here and join the network (open to members and non-members), download images to use … Continue reading →

Posted in Bectu Agreements, Film & TV industry policy, Freelance working, High End TV data, Long hours, Safe working practices, Safe working standards, TV Drama Agreement, Wellbeing, Work-life balance | Tagged , | Leave a comment

Demand for UK studio space v Netflix subscriber drop

Posted on April 21, 2022 by Paul Evans

Two stories passing each other in this week’s newspapers. Firstly, a good fact-packed briefing from The Times [£] on how demand for studio space is multiplying at the moment, to meet the demands of SVoD productions: “UK production spend is … Continue reading →

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Understanding commuting costs – some bookmarks

Posted on April 19, 2022 by Paul Evans

For freelancers working either in film and TV, or in Live Events, there is often no option to use public transport to get to work. For a typical filming day, Bectu members tell us that they tend to arrive at … Continue reading →

Posted in Feature film data, Film & TV industry data, Film & TV industry policy, Freelance working, High End TV data, Long hours, Safe working practices, UK studios, Work-life balance | Tagged , , | Leave a comment

Skills shortages in film & TV – update

Posted on March 16, 2022 by Paul Evans

There’s a useful roundup in the i-Paper showing the scale of the studio expansion and growing physical production capacity that the UK has, in contrast to the roster of available skills which will leave an estimated “40,000 workers needed to … Continue reading →

Posted in Feature film data, Film & TV industry data, Film & TV industry policy, High End TV data, Quotas, Skills & capacity, SVoD, Tax incentives, UK studios | Tagged , | Leave a comment

Bectu Mental Health and Welbeing Policy published

Posted on February 24, 2022 by Paul Evans

This was an idea that came from Bectu members during the pandemic. We did a load of online sessions discussing different aspects of the question “what is wrong with ‘the freelance deal’?” and there was a repeated refrain saying “our … Continue reading →

Posted in Feature film data, Film & TV industry data, Film & TV industry policy, Freelance working, Freelancer rights, Health & Safety, High End TV data, Long hours, Management, Mental Health, Safe working practices, Safe working standards, Wellbeing, Work-life balance | Tagged | Leave a comment

Shepperton update: Now Prime Video have agreed a deal.

Posted on February 9, 2022 by Paul Evans

Further to a recent post here about Shepperton (which outlined the way that Netflix were treating the studio as it’s UK production base), The Pinewood Group (Shepperton’s owners) have today confirmed that the new facilities under development will be given … Continue reading →

Posted in Film & TV industry policy, High End TV data, SVoD, Tax incentives, UK studios | Tagged , , , , , | Leave a comment

Travelling to work in the EU (updated)

Posted on January 27, 2022 by Paul Evans

Post updated 27/01/22 I started writing this post because I was quite annoyed that there wasn’t any straightforward advice on travelling to work from the UK to the EU. Also, as far as I can see, Brexit will hit freelancers … Continue reading →

Posted in EU & Brexit, Film & TV industry policy, Freelance working, Theatre and Live Events data | Tagged , | 2 Comments

BBC as an antidote to social media competitors

Posted on January 24, 2022 by Paul Evans

A good post from Diana Coyle on the need for “a publicly-funded, public purpose and independent competitor of scale” in online markets such as social media.” “…foreign observers find it impossible to understand why UK governments are so keen to … Continue reading →

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Production growing in the nations and regions

Posted on January 19, 2022 by Paul Evans

Back in September, I posted here about The Pact Census (as carried out by Oliver and Ohlbaum). I’ve been meaning to pull out something about the impact on regional production from that for a while. So here goes. Pact chose … Continue reading →

Posted in BBC, Factual & Entertainment sector data, Film & TV industry data, High End TV data, Public Service Broadcasting, Skills & capacity, Tax incentives, UK studios | Tagged , | Leave a comment

BBC funding statment from the VLV

Posted on January 18, 2022 by Paul Evans

The Voice of the Listener and Viewer has published the following Briefing note and press release in response to yesterday’s BBC funding settlement.The briefing includes the claim that, on current projections, the BBC will be in deficit by between approximately … Continue reading →

Posted in BBC, Film & TV industry policy, Politics, Public Service Broadcasting, Regulation, SVoD, Tax incentives, The Conservative Party | Tagged , | Leave a comment

Lord Bragg: The BBC is an institution that is being damaged for political purposes

Posted on January 5, 2022 by Paul Evans

I can’t find it on the Radio Times website, but the Times is quoting Melvyn Bragg’s article there, saying… “…as the BBC entered its centenary year, it found itself “sniped at, disparaged and blamed for every current malaise from culture … Continue reading →

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Round up – production in the UK

Posted on December 16, 2021 by Paul Evans

Anyone looking for a good roundup of the UK production landscape – investments, studios, facilities, etc, may find this article in KFTV useful. A lot of it has been covered here already, though I’m aware I need to post more … Continue reading →

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BFI Screen Business report details the scale of the UK production boom

Posted on December 15, 2021 by Paul Evans

Anyone who has any doubts about the size and scale of the UK production boom can have a look at the latest BFI Screen Business report (if the annual Pact Census most recently published in September wasn’t convincing enough!). The … Continue reading →

Posted in BBC, Economics, Factual & Entertainment sector data, Feature film data, Film & TV industry data, Film & TV industry policy, High End TV data, Public Service Broadcasting, Quotas, Skills & capacity, SVoD, Tax incentives, UK studios | Tagged , , , | Leave a comment

Shinfield Studios planning permission granted.

Posted on December 15, 2021 by Paul Evans

Shinfield Studios in Reading is another addition to the UK’s ever-mushrooming production capacity (for details of other recent developments see the UK Studio Watch tag on this site). Located very close the M4 and nearly 5 miles away from the … Continue reading →

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A distinctly British focus for TV programmes

Posted on December 8, 2021 by Paul Evans

David Tennant has been questioning some of the arguments around demands for ‘distinctly British programmes (or ‘lovely jubbly telly‘ as John Whittingdale didn’t say recently). “Is there some inherent criticism within this plea for more Britishness?” he said in the … Continue reading →

Posted in Diversity of representation, EU & Brexit, Film & TV industry policy, High End TV data, Public Service Broadcasting, Quotas, Regulation, SVoD, Tax incentives | Tagged , | Leave a comment

Working terms in Swedish productions

Posted on November 29, 2021 by Paul Evans

It’s always worth looking at how other countries do work hours in the film and TV industry, and it is a commonplace view that the Swedish drama sector manages a high quality of production on working hours that also give … Continue reading →

Posted in Bectu Agreements, Employment Law and Rights, EU & Brexit, Factual & Entertainment sector data, Feature film data, Film & TV industry data, Health & Safety, High End TV data, Long hours, Major Motion Picture Agreement, Productivity, SVoD, Tax incentives, Trades Unions, TV Drama Agreement, Work-life balance | Tagged , , | Leave a comment

BARB to monitor SVoD viewing figures

Posted on November 25, 2021 by Paul Evans

The rapid rise of Streaming Video on Demand (SVoD)  – with 18.8m UK homes (66%) having at least one SVoD account – has been a particularly rough disruption for traditional linear TV broadcasters for two obvious reasons. The first is … Continue reading →

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Shepperton expansion confirmed – with deeper Netflix ties

Posted on November 19, 2021 by Paul Evans

Further to the previous post about Shepperton Studios here a few months ago, it looks like the support from Spelthorne Council has borne fruit: The Pinewood Group has now announced its decision to further expand Shepperton. This will expand the capacity … Continue reading →

Posted in Feature film data, High End TV data, Skills & capacity, UK studios | Tagged , , , , , , , | Leave a comment

ITV and SVoD revenues

Posted on November 16, 2021 by Paul Evans

The picture for ITV is a bundle of contradictions. On the one hand, their ad revenues, the FT are reporting [£] that they are rising dramatically and have done well throughout the pandemic. Share prices are climbing accordingly. On the … Continue reading →

Posted in Factual & Entertainment sector data, Film & TV industry data, High End TV data, SVoD, TV Advertising | Tagged | Leave a comment

What is the future for streaming TV?

Posted on November 16, 2021 by Paul Evans

There’s a lot of soul-searching going on in the pages of the FT about the future for streaming TV. Both Netflix and Disney Plus are reporting slowdowns in growth. It’s a bit of an odd one – both have grown … Continue reading →

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Bray Studios expansion agreed

Posted on November 9, 2021 by Paul Evans

Bray Studios – the home of Hammer Horror films – is the latest of the UK’s historic film studios to announce an expansion. Plainly, this growing capacity is good news all round for Bectu members, though there will be mixed … Continue reading →

Posted in Feature film data, High End TV data, Skills & capacity, UK studios | Tagged , , , , , , , | 1 Comment

Violation Tracker UK

Posted on November 2, 2021 by Paul Evans

Violation Tracker UK is a search tool that brings together data on a range of regulatory infringements committed by companies across the United Kingdom, including employment tribunal data. It has been put together by the Corporate Research Project of Good … Continue reading →

Posted in Employment Law and Rights, Regulation, Trades Unions | Tagged , , | Leave a comment

More details of the proposed IATSE deal

Posted on October 28, 2021 by Paul Evans

The actual text of the proposed agreement between IATSE and AMPTP is still in the hands of the lawyers, but IATSE have published some more information about how they will be consulting on this, the financial aspects of the offer … Continue reading →

Posted in Feature film data, Film & TV industry data, Film & TV industry policy, High End TV data, Trades Unions | Tagged | Leave a comment

Piracy of films is still a thing

Posted on October 22, 2021 by Paul Evans

The commonplace (one I’m occasionally guilty of repeating) that online piracy of movies is almost a non-issue now thanks to the emergence of competitively-priced streaming platforms is wrong, it seems. The Global Innovation Policy Center is claiming that worldwide online piracy … Continue reading →

Posted in Copyright and piracy, Feature film data, Film & TV industry data, High End TV data | Tagged , , , | Leave a comment

UK radio to get ‘discoverability’ boost on smart speakers

Posted on October 21, 2021 by Paul Evans

Regulators have a number of tools at their fingertips. They can offer tax breaks linked to cultural tests. They can tell TV channels that a percentage of their content should be made within a particular jurisdiction. They can oblige distribution … Continue reading →

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Public Service Broadcasting – contestable funds under threat?

Posted on October 19, 2021 by Paul Evans

The dust has long settled on the Public Service Broadcasting Contestable Funds Consultation [pdf] from 2016 (the outgoing culture team were fairly keen on them but Nadine Dorries may not be), and the Times [£] has a worrying set of … Continue reading →

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Netflix global strategy on films

Posted on October 18, 2021 by Paul Evans

More fuel to the debate about how the SVoD boom will affect the cultural diversity of film and TV, and on that whole ‘cinema to sofa’ question will play out. Here, their international film Boss David Kosse talks about how … Continue reading →

Posted in Culture policy, Feature film data, Film & TV industry data, Film & TV industry policy, SVoD | Tagged , , , , , | Leave a comment

UK commissioned productions losing crew talent to streamers

Posted on October 18, 2021 by Paul Evans

We’ve been saying it will happen for a while, but the wider world is beginning to notice. This, from the FT[£]; “Seetha Kumar, chief executive of ScreenSkills, said the “pinch points” were particularly acute in mid-tier roles — for which … Continue reading →

Posted in Economics, EU & Brexit, Film & TV industry data, High End TV data, Regulation, Skills & capacity | Tagged | Leave a comment

Yet another big streamer eyes European markets

Posted on October 14, 2021 by Paul Evans

This time, it’s Paramount +. “In the U.K., Ireland, Italy, Germany, Switzerland and Austria (GSA), for example, Paramount Plus will launch on Sky platforms. Craig explained that according to the deal, Paramount Plus and Comcast/ViacomCBS streaming co-venture SkyShowtime will be … Continue reading →

Posted in EU & Brexit, Film & TV industry policy, Public Service Broadcasting, Quotas, Regulation, SVoD | Tagged , , | Leave a comment

BBC Studios Appoints Tom Fussell as CEO

Posted on October 14, 2021 by Paul Evans

As reported in Variety. “Fussell will oversee BBC Studio’s “ambitious” plans for global expansion, its focus on employee engagement and wellbeing as well as diversity, inclusion and sustainability.”

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French cultural policy

Posted on October 14, 2021 by Paul Evans

France has always had an interesting, and different approach to cultural policy to the UK’s equivalent. In thinking about this last night, I remembered this 2013 document [pdf] from the Coalition Francaise and I thought I’d bookmark it here. This … Continue reading →

Posted in Copyright & Intellectual Property, Culture policy, Diversity of representation, Film & TV industry policy, Public Service Broadcasting, Quotas, Regulation, Tax incentives | Tagged , | Leave a comment

Shift-working and disrupted patterns of rest – a research round-up

Posted on October 11, 2021 by Paul Evans

Thanks to Siobhan Wray, an Associate Professor in Organisational Behaviour at Lincoln University for a useful roundup of research resources on this, including…. A systematic review of shift work and nurses’ health: This – ‘Working Time Society consensus statements: Evidence-based … Continue reading →

Posted in Film & TV industry policy, Long hours, Mental Health, Safe working practices, Wellbeing, Work-life balance | Tagged | Leave a comment

IATSE go back into talks with AMPTP following overwhelming strike mandate

Posted on October 5, 2021 by Paul Evans

Following the overwhelming support given to a strike ballot, and a slew of pressure from Californian and New York politicos, the International Alliance of Theatrical Stage Employees (IATSE) are now headed back into talks with The Alliance of Motion Picture … Continue reading →

Posted in Film & TV industry policy, Health & Safety, Long hours, Mental Health, Safe working practices, Safe working standards, Wellbeing, Work-life balance | Tagged , | Leave a comment

DCMS parliamentary committee (effectively) opposes Paul Dacre appointment at Ofcom

Posted on October 5, 2021 by Paul Evans

It seems that Julian Knight MP, the (Conservative) chair of the Digital, Culture, Media and Sport Committee wrote to Oliver Dowden (subsequently reshuffled) effectively opposing the appointment of Paul Dacre as chair of Ofcom. “…the industry standard for rerunning a … Continue reading →

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