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Recent Posts
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- Inflation update and the fall in real wages | Bectu Freelance Research on Earnings growth – private sector workers outpace the public sector
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Category Archives: Quotas
The state of the UK film and TV economy
I occasionally get asked for updates on the general state of the UK film and TV sector, and I can usually reply offering a few links which general readers may find useful. My first, and most current link would be … Continue reading
Posted in Culture policy, Economics, Factual & Entertainment sector data, Feature film data, Film & TV industry data, Film & TV industry policy, High End TV data, Low budget features, Quotas, Regulation, Skills & capacity, SVoD, Tax incentives, TV Advertising, UK studios
Tagged BFI Screen Business Report, Pact Census
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UK independent productions, the inflation punch-in-the-mouth, and the very European remedies.
The boxer, Mike Tyson, was once asked about his plan for a fight and he answered; “Everyone has a plan until they get punched in the mouth.” Economists have a variation on that line: “Everyone has a plan until inflation … Continue reading
Posted in EU & Brexit, Feature film data, Film & TV industry data, Film & TV industry policy, High End TV data, Low budget features, Public Service Broadcasting, Quotas, Regulation, Skills & capacity, SVoD, Tax incentives, UK studios
Tagged AVMS, Investment Quotas, Quotas, tax, Tax incentives
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EU Media Freedom Act – just published
My thanks to Carole Tongue for sending this to me. The EU’s ‘Media Freedom Act’ has been published and the text will be voted on by the European Commission on 13 September before being submitted to the Parliament and the … Continue reading
Skills shortages in film & TV – update
There’s a useful roundup in the i-Paper showing the scale of the studio expansion and growing physical production capacity that the UK has, in contrast to the roster of available skills which will leave an estimated “40,000 workers needed to … Continue reading
BFI Screen Business report details the scale of the UK production boom
Anyone who has any doubts about the size and scale of the UK production boom can have a look at the latest BFI Screen Business report (if the annual Pact Census most recently published in September wasn’t convincing enough!). The … Continue reading
Posted in BBC, Economics, Factual & Entertainment sector data, Feature film data, Film & TV industry data, Film & TV industry policy, High End TV data, Public Service Broadcasting, Quotas, Skills & capacity, SVoD, Tax incentives, UK studios
Tagged BFI, BFI Screen Business Report, Pact Census, UK Studio Watch
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A distinctly British focus for TV programmes
David Tennant has been questioning some of the arguments around demands for ‘distinctly British programmes (or ‘lovely jubbly telly‘ as John Whittingdale didn’t say recently). “Is there some inherent criticism within this plea for more Britishness?” he said in the … Continue reading
UK radio to get ‘discoverability’ boost on smart speakers
Regulators have a number of tools at their fingertips. They can offer tax breaks linked to cultural tests. They can tell TV channels that a percentage of their content should be made within a particular jurisdiction. They can oblige distribution … Continue reading
Posted in BBC, Quotas, Radio, Regulation
Tagged DCMS, Discoverability, Ofcom, Smart Speakers
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Yet another big streamer eyes European markets
This time, it’s Paramount +. “In the U.K., Ireland, Italy, Germany, Switzerland and Austria (GSA), for example, Paramount Plus will launch on Sky platforms. Craig explained that according to the deal, Paramount Plus and Comcast/ViacomCBS streaming co-venture SkyShowtime will be … Continue reading
French cultural policy
France has always had an interesting, and different approach to cultural policy to the UK’s equivalent. In thinking about this last night, I remembered this 2013 document [pdf] from the Coalition Francaise and I thought I’d bookmark it here. This … Continue reading
More on UK/US unscripted production partnerships
Futher to the recent post about Netflix partnerships with UK PSBs, NBC Universal has also done an unscripted formats deal with the BBC.
France places new obligations on video-on-demand providers
From the European Audiovisual Observatory: “In future, VOD services must devote at least 20% of the turnover they generate in France to the funding of European or French cinematographic and audiovisual production. The proportion is increased to 25% for services … Continue reading
Free database of legal developments in the Europen audiovisual sector
This one is probably only useful to massive geeks (hi!) but I’m telling you about it anyway just in case you find it useful. The European Audiovisual Observatory maintains a database of legal developments in all key areas, all key … Continue reading
The Cultural Diversity arguments against Channel Four privatisation
The UK Coalition for Cultural Diversity (UKCCD) have published their submission to the consultation on Channel Four privatisation here [pdf]. It makes a key point that should concern Bectu members who are concerned about the quality of the content that … Continue reading
TV with an American accent?
A strong piece in the FT[£] here from John Gapper, outlining how strong SVoD investment in locally-set programmes may be a mirage – an attempt to build the subscriber base that can subsequently be fed content that is less rooted … Continue reading
French windows (excuse the pun)
There are a few posts up here about how content regulation drives investment into film and TV, how the AVMS Directive is translated into national legislation and regulations, and on the general armoury that national governments have to shape the … Continue reading
Ampere Analysis – strong case against privatisation of Channel Four
A strong thread here from Ampere Analysis, and a detailed report of their findings is here in The Guardian. Ampere has assessed a range of potential options surrounding the privatisation of @Channel4. Here is what we found: — Ampere Analysis … Continue reading
Is UK audiovisual content about to hit a perfect storm?
I’d suggest that there is an emerging picture of where UK production is likely to head in the next few years, and it’s one that should worry us – particularly from the point of view of cultural diversity (which is … Continue reading
Posted in BBC, EU & Brexit, Factual & Entertainment sector data, Feature film data, Film & TV industry data, Film & TV industry policy, High End TV data, Public Service Broadcasting, Quotas, Regulation, Skills & capacity, SVoD, Tax incentives, UK studios
Tagged Audiovisual Media Services, Disney, Investment Quotas, Media Ownership, Media sector consolidation, Netflix, Quotas, SVOD, UK Studio Watch
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How AVMS applies in every EU country
The Audio Visual Media Services (AVMS) Directive, like all EU Directives, is translated into national legislation and regulation by the member states concerned. The European Audiovisual Observatory tracks all of this on this table here. (H/T Carole Tongue for the … Continue reading
Cultural Diversity is not just about limiting discrimination – it’s an economic and industrial factor
It’s worth bookmarking Unesco’s Convention on the Protection and Promotion of the Diversity of Cultural Expressions here. This is an important global statement on the need for cultural expressions to be produced, distributed, and owned ‘locally’ (in the Nations and … Continue reading
Posted in BBC, Disability equality, Diversity of representation, Economics, Equality, EU & Brexit, Factual & Entertainment sector data, Feature film data, Film & TV industry data, Gender equality, Gender representation, High End TV data, Public Service Broadcasting, Quotas, Race equality, Regulation, SVoD, Tax incentives, UK studios, Wealth inequality
Tagged Audiovisual Media Services, BBC, Channel 4, Channel 4 privatisation, Convention on the Protection and Promotion of the Diversity of Cultural Expressions, Investment Quotas, Quotas, Unesco
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Study on financial investment obligations placed on VOD providers in Europe.
This, from Dr Marlen Komorowski of Cardiff University for the The Media & Society Programme of SMIT. It looks at the way VOD providers are subject to various financial investment obligations (one of the key forms of regulation and incentive … Continue reading
Ofcom shenanigans – update
The film and TV industries, it’s probably true to say that it’s more important to beat regulators than it is to beat competitors. If a regulator has a particular set of prejudices, it can be very bad for the industry … Continue reading
Posted in BBC, Film & TV industry policy, Public Service Broadcasting, Quotas, Regulation
Tagged Cultural diversity, Ofcom, Paul Dacre
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BBC and Creative Wales partnership to boost Welsh TV industry
Following a prompt from Carwyn Donovan, I see that the BBC are reporting a new partnership – a formal agreement – between the BBC and Creative Wales. Carwyn and the Bectu reps in Wales have built a strong relationship with … Continue reading
Theatre Tax Relief paid out £74 million to 3,660 productions last year
According to The Stage [£]… “This represents a £3 million increase on the figure paid out in 2019/20, which was £71 million, and comes amid calls for the tax credit to be increased to help the sector recover after the … Continue reading
Posted in Animation & VFX, Culture policy, EU & Brexit, Factual & Entertainment sector data, Feature film data, Film & TV industry data, Film & TV industry policy, High End TV data, Public Service Broadcasting, Quotas, Regulation, Skills & capacity, SVoD, Tax, Tax incentives, Theatre and Live Events data
Tagged Creative Industries Tax Relief
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Edinburgh TV Festival debates C4 sell-off
Broadcast has a report here [£]. In a statement that my be dismissed as hyperbole, John Thoday of Avalon says C4 privatisation will “kill the indie sector” and calls for the government to give C4 in it’s current form a … Continue reading
Channel 4 and mutual ownership – Labour proposal
There have been quite a few posts on here already about C4 privatisation. This is an interesting twist, from The Co-operative Party (sister-party to the UK Labour Party) – proposing that control of Channel 4 could (via Broadcast [£]) be … Continue reading
How cultural regulation drives investment
Carole Tongue of UKCCD has been in touch with a reminder for how we can regulate streaming platforms for increased investment in British drama/film and documentary. It gives guidance on what the Canadian broadcasting regulator should consider when addressing cultural … Continue reading
UK viewers more immune to charms of US big names
Interesting stat here. It may reinforce the arguments around the UK’s expectation of watching British stories instead of ‘global’ content. Survey Says: What Consumers Overseas Want From Streaming Services https://t.co/YlzIAqmmEG pic.twitter.com/KhPyFw5Y9U — Variety (@Variety) July 30, 2021
Posted in Film & TV industry policy, Quotas, Regulation
Tagged Audiovisual Media Services, Imports
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British content projecting Britain
I’ll be posting more on this in the coming weeks, but there are some very big concerns circulating even in Conservative circles about the potential damage that the UK could sustain due to changes in the film and TV industry. … Continue reading
Posted in Animation & VFX, BBC, Coronavirus, Coronavirus, Culture policy, EU & Brexit, Feature film data, Film & TV industry data, Film & TV industry policy, High End TV data, Public Service Broadcasting, Quotas, Regulation, Skills & capacity, SVoD, Tax incentives, The Conservative Party, UK studios
Tagged Audiovisual Media Services, Channel 4, Channel 4 privatisation
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“Gogglebox presents people like us and is made in Britain for Britain”
I knew I’d seen a good defence of Channel 4’s Public Service Broadcaster remit, but I couldn’t remember where until I visited the VLV website earlier and saw this [pdf] from Channel 4’s CEO Alex Mahon. “Online business cannot fill … Continue reading
Ofcom calls for stronger system of public service media fit for the digital age
A strong position from Ofcom here – particularly in the current climate (with C4 privatisation firmly on the table) “Public service content matters – but it’s under increasing threat.” From the Ofcom site: “Ofcom is today recommending a radical overhaul … Continue reading
Regulation and Policy related to audiovisual works – an overview.
These are my notes on a presentation from Maja Cappello – Head of Department for Legal Information – ‘European Audiovisual Observatory on Regulation and Policy related to theatrical and non-theatrical production.’ There are two initial key questions when we think about … Continue reading
Posted in BBC, Factual & Entertainment sector data, Feature film data, Film & TV industry data, Film & TV industry policy, High End TV data, Public Service Broadcasting, Quotas, Regulation, SVoD, Tax incentives
Tagged Audiovisual Media Services, Belgium, European Audiovisual Observatory, France, Greece, Investment Quotas, Quotas, Spain. Italy, Tax incentives
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European Audiovisual Observatory industry stats handbooks
European Audiovisual Observatory 2020-2021 Key Trends [PDF] World Film Market Trends (coming soon – here) Previous editions are here.
Cannes panel on ‘cinema to sofa?’ shift
There was a good European Audiovisual Observatory panel as part of the Cannes Festival held online. The programme can be seen here. Short version of this post: The idea that streaming + pandemic changes to behaviour is too simplistic – … Continue reading
European TV markets, post Brexit
The number of TV channels based in the UK halves post-Brexit but the UK remains leading AV market in Europe – @EuAvObservatory's public report for all to review here: https://t.co/k8mw01EoaA — UKCCD (@UKCCD1) July 2, 2021
How Brexit could effect drama exports
More on the Audiovisual Media Services (AVMS) EU broadcast quotas. “Last year, EU countries agreed that 30% of offerings on streaming services such as Netflix and Amazon Prime should be European-made. The concern among some EU capitals is that currently the … Continue reading
Posted in EU & Brexit, High End TV data, Quotas, SVoD
Tagged Audiovisual Media Services, TV Without Frontiers (TVWF)
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