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Recent Posts
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- Paul Evans on Applying for a Lorimer Letter (LP10)
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- Demand for UK studio space v Netflix subscriber drop | Bectu Freelance Research on Is UK audiovisual content about to hit a perfect storm?
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Category Archives: Regulation
BBC funding statment from the VLV
The Voice of the Listener and Viewer has published the following Briefing note and press release in response to yesterday’s BBC funding settlement.The briefing includes the claim that, on current projections, the BBC will be in deficit by between approximately … Continue reading
A distinctly British focus for TV programmes
David Tennant has been questioning some of the arguments around demands for ‘distinctly British programmes (or ‘lovely jubbly telly‘ as John Whittingdale didn’t say recently). “Is there some inherent criticism within this plea for more Britishness?” he said in the … Continue reading
Violation Tracker UK
Violation Tracker UK is a search tool that brings together data on a range of regulatory infringements committed by companies across the United Kingdom, including employment tribunal data. It has been put together by the Corporate Research Project of Good … Continue reading
UK radio to get ‘discoverability’ boost on smart speakers
Regulators have a number of tools at their fingertips. They can offer tax breaks linked to cultural tests. They can tell TV channels that a percentage of their content should be made within a particular jurisdiction. They can oblige distribution … Continue reading
Posted in BBC, Quotas, Radio, Regulation
Tagged DCMS, Discoverability, Ofcom, Smart Speakers
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UK commissioned productions losing crew talent to streamers
We’ve been saying it will happen for a while, but the wider world is beginning to notice. This, from the FT[£]; “Seetha Kumar, chief executive of ScreenSkills, said the “pinch points” were particularly acute in mid-tier roles — for which … Continue reading
Yet another big streamer eyes European markets
This time, it’s Paramount +. “In the U.K., Ireland, Italy, Germany, Switzerland and Austria (GSA), for example, Paramount Plus will launch on Sky platforms. Craig explained that according to the deal, Paramount Plus and Comcast/ViacomCBS streaming co-venture SkyShowtime will be … Continue reading
French cultural policy
France has always had an interesting, and different approach to cultural policy to the UK’s equivalent. In thinking about this last night, I remembered this 2013 document [pdf] from the Coalition Francaise and I thought I’d bookmark it here. This … Continue reading
DCMS parliamentary committee (effectively) opposes Paul Dacre appointment at Ofcom
It seems that Julian Knight MP, the (Conservative) chair of the Digital, Culture, Media and Sport Committee wrote to Oliver Dowden (subsequently reshuffled) effectively opposing the appointment of Paul Dacre as chair of Ofcom. “…the industry standard for rerunning a … Continue reading
More on UK/US unscripted production partnerships
Futher to the recent post about Netflix partnerships with UK PSBs, NBC Universal has also done an unscripted formats deal with the BBC.
France places new obligations on video-on-demand providers
From the European Audiovisual Observatory: “In future, VOD services must devote at least 20% of the turnover they generate in France to the funding of European or French cinematographic and audiovisual production. The proportion is increased to 25% for services … Continue reading
Free database of legal developments in the Europen audiovisual sector
This one is probably only useful to massive geeks (hi!) but I’m telling you about it anyway just in case you find it useful. The European Audiovisual Observatory maintains a database of legal developments in all key areas, all key … Continue reading
Costs of streaming services relative to the TV licence fee
Tim Davie has been talking to the DCMS select committee yesterday about the licence fee. Some highlights: “Netflix, Spotify, Apple – price rises of 20-30% this year, we have gone up 1% this year.” There’s a useful summary of SVoD … Continue reading
Posted in BBC, Public Service Broadcasting, Regulation
Tagged BBC. BBC licence review, Tim Davie
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Unscripted TV production has too few customers
Another very good article from the consistently smart Sarah O’Connor in the FT[£]. There’s little more to add than that Bectu members can substitute ‘broadcast commissioners’ for ‘supermarkets’ and a lot of this will ring true for them. It’s the … Continue reading
The Cultural Diversity arguments against Channel Four privatisation
The UK Coalition for Cultural Diversity (UKCCD) have published their submission to the consultation on Channel Four privatisation here [pdf]. It makes a key point that should concern Bectu members who are concerned about the quality of the content that … Continue reading
TV with an American accent?
A strong piece in the FT[£] here from John Gapper, outlining how strong SVoD investment in locally-set programmes may be a mirage – an attempt to build the subscriber base that can subsequently be fed content that is less rooted … Continue reading
French windows (excuse the pun)
There are a few posts up here about how content regulation drives investment into film and TV, how the AVMS Directive is translated into national legislation and regulations, and on the general armoury that national governments have to shape the … Continue reading
BBC Three relaunch as a full TV channel provisionally approved by Ofcom – EPG consultation to follow
Big news for us today. pic.twitter.com/eQ1xfgkP1T — BBC Three (@bbcthree) September 16, 2021 The channel has had a good run recently with Fleabag and Normal People and in noting Ofcom’s provision approval, the regulator said:
The Lovely Jubbly Telly Rule – and will Channel Four privatisation go ahead?
In an interesting twist to the cultural diversity on the screen debate, as UK-commissioned productions sector face a perfect storm that could threaten the UK’s long-established ability to produce TV content, written by UK writers, featuring UK actors and locations, … Continue reading
Ampere Analysis – strong case against privatisation of Channel Four
A strong thread here from Ampere Analysis, and a detailed report of their findings is here in The Guardian. Ampere has assessed a range of potential options surrounding the privatisation of @Channel4. Here is what we found: — Ampere Analysis … Continue reading
Nadine Dorries appointed Culture Secretary
I try to avoid contentious or partisan comments on this site, so the only thing I can say is that Nadine Dorries has been appointed as Culture Secretary. This Nadine Dorries… Left wing snowflakes are killing comedy, tearing down historic … Continue reading
Channel Four privatisation: Advertisers voice concerns about damaged competitiveness
… particularly if sold to ITV or Sky. The FT [£] reports… “Isba [Incorporated Society of British Advertisers] also said there was a “substantial risk” that Channel 4 programming appealing to a young and diverse audience would be “diluted and … Continue reading
Is UK audiovisual content about to hit a perfect storm?
I’d suggest that there is an emerging picture of where UK production is likely to head in the next few years, and it’s one that should worry us – particularly from the point of view of cultural diversity (which is … Continue reading
Posted in BBC, EU & Brexit, Factual & Entertainment sector data, Feature film data, Film & TV industry data, Film & TV industry policy, High End TV data, Public Service Broadcasting, Quotas, Regulation, Skills & capacity, SVoD, Tax incentives, UK studios
Tagged Audiovisual Media Services, Disney, Investment Quotas, Media Ownership, Media sector consolidation, Netflix, Quotas, SVOD, UK Studio Watch
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How AVMS applies in every EU country
The Audio Visual Media Services (AVMS) Directive, like all EU Directives, is translated into national legislation and regulation by the member states concerned. The European Audiovisual Observatory tracks all of this on this table here. (H/T Carole Tongue for the … Continue reading
Cultural Diversity is not just about limiting discrimination – it’s an economic and industrial factor
It’s worth bookmarking Unesco’s Convention on the Protection and Promotion of the Diversity of Cultural Expressions here. This is an important global statement on the need for cultural expressions to be produced, distributed, and owned ‘locally’ (in the Nations and … Continue reading
Posted in BBC, Disability equality, Diversity of representation, Economics, Equality, EU & Brexit, Factual & Entertainment sector data, Feature film data, Film & TV industry data, Gender equality, Gender representation, High End TV data, Public Service Broadcasting, Quotas, Race equality, Regulation, SVoD, Tax incentives, UK studios, Wealth inequality
Tagged Audiovisual Media Services, BBC, Channel 4, Channel 4 privatisation, Convention on the Protection and Promotion of the Diversity of Cultural Expressions, Investment Quotas, Quotas, Unesco
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Study on financial investment obligations placed on VOD providers in Europe.
This, from Dr Marlen Komorowski of Cardiff University for the The Media & Society Programme of SMIT. It looks at the way VOD providers are subject to various financial investment obligations (one of the key forms of regulation and incentive … Continue reading
Channel Four privatisation – picking though the arguments
Yesterday’s FT [£] had a useful reminder of the objections to Channel Four privatisation, or more accurately, a critique of the reasons for privatising the channel. The sale has a number of objectives: Making the broadcaster more sustainable. John Whittingdale … Continue reading
Ofcom shenanigans – update
The film and TV industries, it’s probably true to say that it’s more important to beat regulators than it is to beat competitors. If a regulator has a particular set of prejudices, it can be very bad for the industry … Continue reading
Posted in BBC, Film & TV industry policy, Public Service Broadcasting, Quotas, Regulation
Tagged Cultural diversity, Ofcom, Paul Dacre
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BBC and Creative Wales partnership to boost Welsh TV industry
Following a prompt from Carwyn Donovan, I see that the BBC are reporting a new partnership – a formal agreement – between the BBC and Creative Wales. Carwyn and the Bectu reps in Wales have built a strong relationship with … Continue reading
Theatre Tax Relief paid out £74 million to 3,660 productions last year
According to The Stage [£]… “This represents a £3 million increase on the figure paid out in 2019/20, which was £71 million, and comes amid calls for the tax credit to be increased to help the sector recover after the … Continue reading
Posted in Animation & VFX, Culture policy, EU & Brexit, Factual & Entertainment sector data, Feature film data, Film & TV industry data, Film & TV industry policy, High End TV data, Public Service Broadcasting, Quotas, Regulation, Skills & capacity, SVoD, Tax, Tax incentives, Theatre and Live Events data
Tagged Creative Industries Tax Relief
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Edinburgh TV Festival debates C4 sell-off
Broadcast has a report here [£]. In a statement that my be dismissed as hyperbole, John Thoday of Avalon says C4 privatisation will “kill the indie sector” and calls for the government to give C4 in it’s current form a … Continue reading
More stats on the impact of the creative sector on the wider economy
Further to this post about the Creative Industries Federation report, here are more stats on the (potential) contribution to the UK economy from the creative sector. The Creative UK Group projects that the creative industries can create 300,000 new jobs … Continue reading
Channel 4 and mutual ownership – Labour proposal
There have been quite a few posts on here already about C4 privatisation. This is an interesting twist, from The Co-operative Party (sister-party to the UK Labour Party) – proposing that control of Channel 4 could (via Broadcast [£]) be … Continue reading
Diversity of Media Ownership – European Audiovisual Observatory report (2017)
“Media Ownership – Market Realities and Regulatory Responses.” A detailed report – here. “Only Great Britain has no written constitutional guarantees concerning the freedom of expression and of the media, nor indeed of any other fundamental rights. However, they are … Continue reading
How cultural regulation drives investment
Carole Tongue of UKCCD has been in touch with a reminder for how we can regulate streaming platforms for increased investment in British drama/film and documentary. It gives guidance on what the Canadian broadcasting regulator should consider when addressing cultural … Continue reading
UK viewers more immune to charms of US big names
Interesting stat here. It may reinforce the arguments around the UK’s expectation of watching British stories instead of ‘global’ content. Survey Says: What Consumers Overseas Want From Streaming Services https://t.co/YlzIAqmmEG pic.twitter.com/KhPyFw5Y9U — Variety (@Variety) July 30, 2021
Posted in Film & TV industry policy, Quotas, Regulation
Tagged Audiovisual Media Services, Imports
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