Category Archives: SVoD

Film and TV drama healthcheck (plus a footnote about distribution ‘windows’ and cinemas).

Posted on July 12, 2023 by Paul Evans

It’s been a bad few weeks for cinemas in the UK with Empire Cinemas putting a number of their companies into administration – closing six of its 14 cinemas (Bishops Stortford, Catterick Garrison, Sunderland, Swindon, Walthamstow, Wigan) and a further … Continue reading →

Posted in Cinema exhibition, Economics, Feature film data, Film & TV industry data, Film & TV industry policy, High End TV data, Low budget features, SVoD | Tagged , , , | Comments Off on Film and TV drama healthcheck (plus a footnote about distribution ‘windows’ and cinemas).

The state of the UK film and TV economy

Posted on February 6, 2023 by Paul Evans

I occasionally get asked for updates on the general state of the UK film and TV sector, and I can usually reply offering a few links which general readers may find useful. My first, and most current link would be … Continue reading →

Posted in Culture policy, Economics, Factual & Entertainment sector data, Feature film data, Film & TV industry data, Film & TV industry policy, High End TV data, Low budget features, Quotas, Regulation, Skills & capacity, SVoD, Tax incentives, TV Advertising, UK studios | Tagged , | Leave a comment

UK independent productions, the inflation punch-in-the-mouth, and the very European remedies.

Posted on October 10, 2022 by Paul Evans

The boxer, Mike Tyson, was once asked about his plan for a fight and he answered; “Everyone has a plan until they get punched in the mouth.” Economists have a variation on that line: “Everyone has a plan until inflation … Continue reading →

Posted in EU & Brexit, Feature film data, Film & TV industry data, Film & TV industry policy, High End TV data, Low budget features, Public Service Broadcasting, Quotas, Regulation, Skills & capacity, SVoD, Tax incentives, UK studios | Tagged , , , , | Leave a comment

EU Media Freedom Act – just published

Posted on September 9, 2022 by Paul Evans

My thanks to Carole Tongue for sending this to me. The EU’s ‘Media Freedom Act’ has been published and the text will be voted on by the European Commission on 13 September before being submitted to the Parliament and the … Continue reading →

Posted in Culture policy, EU & Brexit, Public Service Broadcasting, Quotas, Regulation, SVoD | Tagged , , , | Leave a comment

Broadcasting White Paper published

Posted on April 28, 2022 by Paul Evans

The DCMS has published its Broadcasting White Paper promising “a new golden age of programming” with changes to regulations on SVoDs, sports rights, and the privatisation of Channel 4. One change is that C4 will be able to start producing … Continue reading →

Posted in BBC, Film & TV industry data, Film & TV industry policy, High End TV data, Public Service Broadcasting, SVoD | Tagged , , , , | Leave a comment

Demand for UK studio space v Netflix subscriber drop

Posted on April 21, 2022 by Paul Evans

Two stories passing each other in this week’s newspapers. Firstly, a good fact-packed briefing from The Times [£] on how demand for studio space is multiplying at the moment, to meet the demands of SVoD productions: “UK production spend is … Continue reading →

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Skills shortages in film & TV – update

Posted on March 16, 2022 by Paul Evans

There’s a useful roundup in the i-Paper showing the scale of the studio expansion and growing physical production capacity that the UK has, in contrast to the roster of available skills which will leave an estimated “40,000 workers needed to … Continue reading →

Posted in Feature film data, Film & TV industry data, Film & TV industry policy, High End TV data, Quotas, Skills & capacity, SVoD, Tax incentives, UK studios | Tagged , | Leave a comment

Shepperton update: Now Prime Video have agreed a deal.

Posted on February 9, 2022 by Paul Evans

Further to a recent post here about Shepperton (which outlined the way that Netflix were treating the studio as it’s UK production base), The Pinewood Group (Shepperton’s owners) have today confirmed that the new facilities under development will be given … Continue reading →

Posted in Film & TV industry policy, High End TV data, SVoD, Tax incentives, UK studios | Tagged , , , , , | Leave a comment

BBC funding statment from the VLV

Posted on January 18, 2022 by Paul Evans

The Voice of the Listener and Viewer has published the following Briefing note and press release in response to yesterday’s BBC funding settlement.The briefing includes the claim that, on current projections, the BBC will be in deficit by between approximately … Continue reading →

Posted in BBC, Film & TV industry policy, Politics, Public Service Broadcasting, Regulation, SVoD, Tax incentives, The Conservative Party | Tagged , | Leave a comment

BFI Screen Business report details the scale of the UK production boom

Posted on December 15, 2021 by Paul Evans

Anyone who has any doubts about the size and scale of the UK production boom can have a look at the latest BFI Screen Business report (if the annual Pact Census most recently published in September wasn’t convincing enough!). The … Continue reading →

Posted in BBC, Economics, Factual & Entertainment sector data, Feature film data, Film & TV industry data, Film & TV industry policy, High End TV data, Public Service Broadcasting, Quotas, Skills & capacity, SVoD, Tax incentives, UK studios | Tagged , , , | Leave a comment

A distinctly British focus for TV programmes

Posted on December 8, 2021 by Paul Evans

David Tennant has been questioning some of the arguments around demands for ‘distinctly British programmes (or ‘lovely jubbly telly‘ as John Whittingdale didn’t say recently). “Is there some inherent criticism within this plea for more Britishness?” he said in the … Continue reading →

Posted in Diversity of representation, EU & Brexit, Film & TV industry policy, High End TV data, Public Service Broadcasting, Quotas, Regulation, SVoD, Tax incentives | Tagged , | Leave a comment

Working terms in Swedish productions

Posted on November 29, 2021 by Paul Evans

It’s always worth looking at how other countries do work hours in the film and TV industry, and it is a commonplace view that the Swedish drama sector manages a high quality of production on working hours that also give … Continue reading →

Posted in Bectu Agreements, Employment Law and Rights, EU & Brexit, Factual & Entertainment sector data, Feature film data, Film & TV industry data, Health & Safety, High End TV data, Long hours, Major Motion Picture Agreement, Productivity, SVoD, Tax incentives, Trades Unions, TV Drama Agreement, Work-life balance | Tagged , , | Leave a comment

BARB to monitor SVoD viewing figures

Posted on November 25, 2021 by Paul Evans

The rapid rise of Streaming Video on Demand (SVoD)  – with 18.8m UK homes (66%) having at least one SVoD account – has been a particularly rough disruption for traditional linear TV broadcasters for two obvious reasons. The first is … Continue reading →

Posted in Film & TV industry data, High End TV data, SVoD, TV Advertising | Tagged | Leave a comment

ITV and SVoD revenues

Posted on November 16, 2021 by Paul Evans

The picture for ITV is a bundle of contradictions. On the one hand, their ad revenues, the FT are reporting [£] that they are rising dramatically and have done well throughout the pandemic. Share prices are climbing accordingly. On the … Continue reading →

Posted in Factual & Entertainment sector data, Film & TV industry data, High End TV data, SVoD, TV Advertising | Tagged | Leave a comment

What is the future for streaming TV?

Posted on November 16, 2021 by Paul Evans

There’s a lot of soul-searching going on in the pages of the FT about the future for streaming TV. Both Netflix and Disney Plus are reporting slowdowns in growth. It’s a bit of an odd one – both have grown … Continue reading →

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Netflix global strategy on films

Posted on October 18, 2021 by Paul Evans

More fuel to the debate about how the SVoD boom will affect the cultural diversity of film and TV, and on that whole ‘cinema to sofa’ question will play out. Here, their international film Boss David Kosse talks about how … Continue reading →

Posted in Culture policy, Feature film data, Film & TV industry data, Film & TV industry policy, SVoD | Tagged , , , , , | Leave a comment

Yet another big streamer eyes European markets

Posted on October 14, 2021 by Paul Evans

This time, it’s Paramount +. “In the U.K., Ireland, Italy, Germany, Switzerland and Austria (GSA), for example, Paramount Plus will launch on Sky platforms. Craig explained that according to the deal, Paramount Plus and Comcast/ViacomCBS streaming co-venture SkyShowtime will be … Continue reading →

Posted in EU & Brexit, Film & TV industry policy, Public Service Broadcasting, Quotas, Regulation, SVoD | Tagged , , | Leave a comment

France places new obligations on video-on-demand providers

Posted on September 23, 2021 by Paul Evans

From the European Audiovisual Observatory: “In future, VOD services must devote at least 20% of the turnover they generate in France to the funding of European or French cinematographic and audiovisual production. The proportion is increased to 25% for services … Continue reading →

Posted in Culture policy, Film & TV industry data, Film & TV industry policy, Quotas, Regulation, SVoD, Tax incentives | Tagged , , | Leave a comment

Free database of legal developments in the Europen audiovisual sector

Posted on September 23, 2021 by Paul Evans

This one is probably only useful to massive geeks (hi!) but I’m telling you about it anyway just in case you find it useful. The European Audiovisual Observatory maintains a database of legal developments in all key areas, all key … Continue reading →

Posted in Factual & Entertainment sector data, Feature film data, Film & TV industry data, Film & TV industry policy, High End TV data, Public Service Broadcasting, Quotas, Regulation, SVoD, Tax incentives | Tagged , | Leave a comment

The Cultural Diversity arguments against Channel Four privatisation

Posted on September 21, 2021 by Paul Evans

The UK Coalition for Cultural Diversity (UKCCD) have published their submission to the consultation on Channel Four privatisation here [pdf]. It makes a key point that should concern Bectu members who are concerned about the quality of the content that … Continue reading →

Posted in Film & TV industry policy, Public Service Broadcasting, Quotas, Regulation, SVoD, UK studios | Tagged , | Leave a comment

Netflix cleans up at the Emmy Awards

Posted on September 21, 2021 by Paul Evans

From Variety: “For the first time ever, Netflix won more Emmys than any other platform. It did so while more than doubling the Emmy haul of its nearest competition, which was HBO/HBO Max with 19 total wins.” Full story here. … Continue reading →

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TV with an American accent?

Posted on September 21, 2021 by Paul Evans

A strong piece in the FT[£] here from John Gapper, outlining how strong SVoD investment in locally-set programmes may be a mirage – an attempt to build the subscriber base that can subsequently be fed content that is less rooted … Continue reading →

Posted in Culture policy, Factual & Entertainment sector data, Feature film data, Film & TV industry data, Film & TV industry policy, High End TV data, Quotas, Regulation, SVoD | Tagged , | Leave a comment

French windows (excuse the pun)

Posted on September 20, 2021 by Paul Evans

There are a few posts up here about how content regulation drives investment into film and TV, how the AVMS Directive is translated into national legislation and regulations, and on the general armoury that national governments have to shape the … Continue reading →

Posted in Feature film data, Film & TV industry data, Film & TV industry policy, High End TV data, Public Service Broadcasting, Quotas, Regulation, SVoD, Tax incentives | Tagged , , , | Leave a comment

UK studio expansions – latest: Netflix announces plans for Longcross

Posted on September 20, 2021 by Paul Evans

Another sign of the UK production sector heating up rapidly, Netflix (already projected to spend more than $1bn on across 60 UK productions in 2021 alone) is adding to its UK production capacity with a partnership with Aviva Investors expanding … Continue reading →

Posted in Factual & Entertainment sector data, Feature film data, Film & TV industry data, Film & TV industry policy, High End TV data, Skills & capacity, SVoD, UK studios | Tagged , , , | Leave a comment

£1.2m annual Netflix training ‘war chest’ and other scripted TV training developments

Posted on September 16, 2021 by Paul Evans

As referenced in the Guardian article a few days ago, here’s more detail on this Netflix training budget, from Broadcast [£]. Quoting ex-Production Guild chief Alison Small (now working directly for ‘Grow Creative UK’ / Netflix) on training: “If we … Continue reading →

Posted in Film & TV industry data, High End TV data, Management, Skills & capacity, SVoD, Wellbeing, Work-life balance | Tagged , , | 1 Comment

Ampere Analysis – strong case against privatisation of Channel Four

Posted on September 15, 2021 by Paul Evans

A strong thread here from Ampere Analysis, and a detailed report of their findings is here in The Guardian. Ampere has assessed a range of potential options surrounding the privatisation of @Channel4. Here is what we found: — Ampere Analysis … Continue reading →

Posted in Factual & Entertainment sector data, Film & TV industry data, Film & TV industry policy, High End TV data, Public Service Broadcasting, Quotas, Regulation, Skills & capacity, Sports rights and broadcasting, SVoD | Tagged , , | Leave a comment

Channel Four privatisation: Advertisers voice concerns about damaged competitiveness

Posted on September 15, 2021 by Paul Evans

… particularly if sold to ITV or Sky. The FT [£] reports… “Isba [Incorporated Society of British Advertisers] also said there was a “substantial risk” that Channel 4 programming appealing to a young and diverse audience would be “diluted and … Continue reading →

Posted in Film & TV industry data, Film & TV industry policy, Public Service Broadcasting, Regulation, SVoD, TV Advertising | Tagged , , | Leave a comment

Is UK audiovisual content about to hit a perfect storm?

Posted on September 13, 2021 by Paul Evans

I’d suggest that there is an emerging picture of where UK production is likely to head in the next few years, and it’s one that should worry us – particularly from the point of view of cultural diversity (which is … Continue reading →

Posted in BBC, EU & Brexit, Factual & Entertainment sector data, Feature film data, Film & TV industry data, Film & TV industry policy, High End TV data, Public Service Broadcasting, Quotas, Regulation, Skills & capacity, SVoD, Tax incentives, UK studios | Tagged , , , , , , , , | 7 Comments

How AVMS applies in every EU country

Posted on September 13, 2021 by Paul Evans

The Audio Visual Media Services (AVMS) Directive, like all EU Directives, is translated into national legislation and regulation by the member states concerned. The European Audiovisual Observatory tracks all of this on this table here. (H/T Carole Tongue for the … Continue reading →

Posted in Film & TV industry policy, Public Service Broadcasting, Quotas, Regulation, SVoD, Tax incentives | Tagged , | Leave a comment

Cultural Diversity is not just about limiting discrimination – it’s an economic and industrial factor

Posted on September 10, 2021 by Paul Evans

It’s worth bookmarking Unesco’s Convention on the Protection and Promotion of the Diversity of Cultural Expressions here. This is an important global statement on the need for cultural expressions to be produced, distributed, and owned ‘locally’ (in the Nations and … Continue reading →

Posted in BBC, Disability equality, Diversity of representation, Economics, Equality, EU & Brexit, Factual & Entertainment sector data, Feature film data, Film & TV industry data, Gender equality, Gender representation, High End TV data, Public Service Broadcasting, Quotas, Race equality, Regulation, SVoD, Tax incentives, UK studios, Wealth inequality | Tagged , , , , , , , | 1 Comment

Study on financial investment obligations placed on VOD providers in Europe.

Posted on September 8, 2021 by Paul Evans

This, from Dr Marlen Komorowski of Cardiff University for the The Media & Society Programme of SMIT. It looks at the way VOD providers are subject to various financial investment obligations (one of the key forms of regulation and incentive … Continue reading →

Posted in EU & Brexit, Film & TV industry data, Film & TV industry policy, High End TV data, Public Service Broadcasting, Quotas, Regulation, SVoD, Tax incentives | Tagged , , | Leave a comment

Pact Census 2021 published

Posted on September 8, 2021 by Paul Evans

One of the biggest, and most useful info-dumps about UK TV production has landed today with the publication of the Oliver and Ohlbaum / Pact Census (which is also published alongside a briefing on the impact of Covid this year). … Continue reading →

Posted in BBC, Factual & Entertainment sector data, Feature film data, Film & TV industry data, High End TV data, Post-production, Skills & capacity, SVoD, Tax incentives, UK studios | Tagged , | 3 Comments

Channel Four privatisation – picking though the arguments

Posted on September 3, 2021 by Paul Evans

Yesterday’s FT [£] had a useful reminder of the objections to Channel Four privatisation, or more accurately, a critique of the reasons for privatising the channel. The sale has a number of objectives: Making the broadcaster more sustainable. John Whittingdale … Continue reading →

Posted in Factual & Entertainment sector data, Film & TV industry data, High End TV data, Public Service Broadcasting, Regulation, SVoD | Tagged , , | Leave a comment

BBC and Creative Wales partnership to boost Welsh TV industry

Posted on September 1, 2021 by Paul Evans

Following a prompt from Carwyn Donovan, I see that the BBC are reporting a new partnership – a formal agreement – between the BBC and Creative Wales. Carwyn and the Bectu reps in Wales have built a strong relationship with … Continue reading →

Posted in Factual & Entertainment sector data, Film & TV industry data, High End TV data, Quotas, Regulation, Skills & capacity, SVoD | Tagged , , | 1 Comment

Theatre Tax Relief paid out £74 million to 3,660 productions last year

Posted on August 27, 2021 by Paul Evans

According to The Stage [£]… “This represents a £3 million increase on the figure paid out in 2019/20, which was £71 million, and comes amid calls for the tax credit to be increased to help the sector recover after the … Continue reading →

Posted in Animation & VFX, Culture policy, EU & Brexit, Factual & Entertainment sector data, Feature film data, Film & TV industry data, Film & TV industry policy, High End TV data, Public Service Broadcasting, Quotas, Regulation, Skills & capacity, SVoD, Tax, Tax incentives, Theatre and Live Events data | Tagged | Leave a comment