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- Demand for UK studio space v Netflix subscriber drop | Bectu Freelance Research on Is UK audiovisual content about to hit a perfect storm?
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Category Archives: Tax incentives
Demand for UK studio space v Netflix subscriber drop
Two stories passing each other in this week’s newspapers. Firstly, a good fact-packed briefing from The Times [£] on how demand for studio space is multiplying at the moment, to meet the demands of SVoD productions: “UK production spend is … Continue reading
Posted in Film & TV industry data, SVoD, Tax incentives
Tagged Netflix, SVOD, UK Studio Watch
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Skills shortages in film & TV – update
There’s a useful roundup in the i-Paper showing the scale of the studio expansion and growing physical production capacity that the UK has, in contrast to the roster of available skills which will leave an estimated “40,000 workers needed to … Continue reading
Shepperton update: Now Prime Video have agreed a deal.
Further to a recent post here about Shepperton (which outlined the way that Netflix were treating the studio as it’s UK production base), The Pinewood Group (Shepperton’s owners) have today confirmed that the new facilities under development will be given … Continue reading
Production growing in the nations and regions
Back in September, I posted here about The Pact Census (as carried out by Oliver and Ohlbaum). I’ve been meaning to pull out something about the impact on regional production from that for a while. So here goes. Pact chose … Continue reading
BBC funding statment from the VLV
The Voice of the Listener and Viewer has published the following Briefing note and press release in response to yesterday’s BBC funding settlement.The briefing includes the claim that, on current projections, the BBC will be in deficit by between approximately … Continue reading
Round up – production in the UK
Anyone looking for a good roundup of the UK production landscape – investments, studios, facilities, etc, may find this article in KFTV useful. A lot of it has been covered here already, though I’m aware I need to post more … Continue reading
BFI Screen Business report details the scale of the UK production boom
Anyone who has any doubts about the size and scale of the UK production boom can have a look at the latest BFI Screen Business report (if the annual Pact Census most recently published in September wasn’t convincing enough!). The … Continue reading
Posted in BBC, Economics, Factual & Entertainment sector data, Feature film data, Film & TV industry data, Film & TV industry policy, High End TV data, Public Service Broadcasting, Quotas, Skills & capacity, SVoD, Tax incentives, UK studios
Tagged BFI, BFI Screen Business Report, Pact Census, UK Studio Watch
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A distinctly British focus for TV programmes
David Tennant has been questioning some of the arguments around demands for ‘distinctly British programmes (or ‘lovely jubbly telly‘ as John Whittingdale didn’t say recently). “Is there some inherent criticism within this plea for more Britishness?” he said in the … Continue reading
Working terms in Swedish productions
It’s always worth looking at how other countries do work hours in the film and TV industry, and it is a commonplace view that the Swedish drama sector manages a high quality of production on working hours that also give … Continue reading
Posted in Bectu Agreements, Employment Law and Rights, EU & Brexit, Factual & Entertainment sector data, Feature film data, Film & TV industry data, Health & Safety, High End TV data, Long hours, Major Motion Picture Agreement, Productivity, SVoD, Tax incentives, Trades Unions, TV Drama Agreement, Work-life balance
Tagged Eyes Half Shut, Scen and Film, Sweden
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French cultural policy
France has always had an interesting, and different approach to cultural policy to the UK’s equivalent. In thinking about this last night, I remembered this 2013 document [pdf] from the Coalition Francaise and I thought I’d bookmark it here. This … Continue reading
France places new obligations on video-on-demand providers
From the European Audiovisual Observatory: “In future, VOD services must devote at least 20% of the turnover they generate in France to the funding of European or French cinematographic and audiovisual production. The proportion is increased to 25% for services … Continue reading
Free database of legal developments in the Europen audiovisual sector
This one is probably only useful to massive geeks (hi!) but I’m telling you about it anyway just in case you find it useful. The European Audiovisual Observatory maintains a database of legal developments in all key areas, all key … Continue reading
French windows (excuse the pun)
There are a few posts up here about how content regulation drives investment into film and TV, how the AVMS Directive is translated into national legislation and regulations, and on the general armoury that national governments have to shape the … Continue reading
“Streaming demand for UK shows will create 30,000 film and TV jobs”
This, from today’s Guardian. But, as Head of Bectu, Phillipa Childs, says on Twitter.… “with a shortage of crew it’s important that the industry invests in training, development, safeguarding and well-being to attract diverse talent and bring the best of … Continue reading
Is UK audiovisual content about to hit a perfect storm?
I’d suggest that there is an emerging picture of where UK production is likely to head in the next few years, and it’s one that should worry us – particularly from the point of view of cultural diversity (which is … Continue reading
Posted in BBC, EU & Brexit, Factual & Entertainment sector data, Feature film data, Film & TV industry data, Film & TV industry policy, High End TV data, Public Service Broadcasting, Quotas, Regulation, Skills & capacity, SVoD, Tax incentives, UK studios
Tagged Audiovisual Media Services, Disney, Investment Quotas, Media Ownership, Media sector consolidation, Netflix, Quotas, SVOD, UK Studio Watch
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How AVMS applies in every EU country
The Audio Visual Media Services (AVMS) Directive, like all EU Directives, is translated into national legislation and regulation by the member states concerned. The European Audiovisual Observatory tracks all of this on this table here. (H/T Carole Tongue for the … Continue reading
Cultural Diversity is not just about limiting discrimination – it’s an economic and industrial factor
It’s worth bookmarking Unesco’s Convention on the Protection and Promotion of the Diversity of Cultural Expressions here. This is an important global statement on the need for cultural expressions to be produced, distributed, and owned ‘locally’ (in the Nations and … Continue reading
Posted in BBC, Disability equality, Diversity of representation, Economics, Equality, EU & Brexit, Factual & Entertainment sector data, Feature film data, Film & TV industry data, Gender equality, Gender representation, High End TV data, Public Service Broadcasting, Quotas, Race equality, Regulation, SVoD, Tax incentives, UK studios, Wealth inequality
Tagged Audiovisual Media Services, BBC, Channel 4, Channel 4 privatisation, Convention on the Protection and Promotion of the Diversity of Cultural Expressions, Investment Quotas, Quotas, Unesco
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Study on financial investment obligations placed on VOD providers in Europe.
This, from Dr Marlen Komorowski of Cardiff University for the The Media & Society Programme of SMIT. It looks at the way VOD providers are subject to various financial investment obligations (one of the key forms of regulation and incentive … Continue reading
Pact Census 2021 published
One of the biggest, and most useful info-dumps about UK TV production has landed today with the publication of the Oliver and Ohlbaum / Pact Census (which is also published alongside a briefing on the impact of Covid this year). … Continue reading
Theatre Tax Relief paid out £74 million to 3,660 productions last year
According to The Stage [£]… “This represents a £3 million increase on the figure paid out in 2019/20, which was £71 million, and comes amid calls for the tax credit to be increased to help the sector recover after the … Continue reading
Posted in Animation & VFX, Culture policy, EU & Brexit, Factual & Entertainment sector data, Feature film data, Film & TV industry data, Film & TV industry policy, High End TV data, Public Service Broadcasting, Quotas, Regulation, Skills & capacity, SVoD, Tax, Tax incentives, Theatre and Live Events data
Tagged Creative Industries Tax Relief
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More stats on the impact of the creative sector on the wider economy
Further to this post about the Creative Industries Federation report, here are more stats on the (potential) contribution to the UK economy from the creative sector. The Creative UK Group projects that the creative industries can create 300,000 new jobs … Continue reading
LoTR >> NZ 2 UK
The Guardian and BBC are both reporting that Amazon Studios are moving their Lord of The Rings TV series production to the UK and away from New Zealand, and that tax incentive appears to play a big part in the … Continue reading
Posted in Film & TV industry data, High End TV data, SVoD, Tax incentives, UK studios
Tagged Amazon Studios, Lord of the Rings
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How cultural regulation drives investment
Carole Tongue of UKCCD has been in touch with a reminder for how we can regulate streaming platforms for increased investment in British drama/film and documentary. It gives guidance on what the Canadian broadcasting regulator should consider when addressing cultural … Continue reading
UK Restart Scheme funds $2.6 in productions
U.K.’s Film and TV Production Restart Scheme Results in $2.6 Billion Worth of Productions https://t.co/TuOJyoHxx2 — Variety (@Variety) July 28, 2021
British content projecting Britain
I’ll be posting more on this in the coming weeks, but there are some very big concerns circulating even in Conservative circles about the potential damage that the UK could sustain due to changes in the film and TV industry. … Continue reading
Posted in Animation & VFX, BBC, Coronavirus, Coronavirus, Culture policy, EU & Brexit, Feature film data, Film & TV industry data, Film & TV industry policy, High End TV data, Public Service Broadcasting, Quotas, Regulation, Skills & capacity, SVoD, Tax incentives, The Conservative Party, UK studios
Tagged Audiovisual Media Services, Channel 4, Channel 4 privatisation
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Regulation and Policy related to audiovisual works – an overview.
These are my notes on a presentation from Maja Cappello – Head of Department for Legal Information – ‘European Audiovisual Observatory on Regulation and Policy related to theatrical and non-theatrical production.’ There are two initial key questions when we think about … Continue reading
Posted in BBC, Factual & Entertainment sector data, Feature film data, Film & TV industry data, Film & TV industry policy, High End TV data, Public Service Broadcasting, Quotas, Regulation, SVoD, Tax incentives
Tagged Audiovisual Media Services, Belgium, European Audiovisual Observatory, France, Greece, Investment Quotas, Quotas, Spain. Italy, Tax incentives
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European Audiovisual Observatory industry stats handbooks
European Audiovisual Observatory 2020-2021 Key Trends [PDF] World Film Market Trends (coming soon – here) Previous editions are here.
Huge growth in Netflix investment in European scripted production
Netflix has now become the largest single commissioner of new European Scripted content, surpassing both the BBC and ZDF in terms of number of new show commissions across Western & Central Europe in 2020. Read @tvintelligence latest insight here: https://t.co/ai3VXQMVPo … Continue reading
European TV markets, post Brexit
The number of TV channels based in the UK halves post-Brexit but the UK remains leading AV market in Europe – @EuAvObservatory's public report for all to review here: https://t.co/k8mw01EoaA — UKCCD (@UKCCD1) July 2, 2021
Streaming channels investing largely in European production
Alex Barker at the FT[££] is reporting on the tide of investment in local content that SVOD is generating. in 2020, more than 60% of Netflix’s exclusive TV/films were made outside the English-speaking world and recent research has more than … Continue reading
RTÉ underspend on independent production.
The spend by RTÉ, the Irish public service broadcaster, on independent productions last year fell €3.7m short of its €40.2m statutory target due to the Covid-19 pandemic impact. This is worth noting because it’s another example of broadcast quotas, albeit … Continue reading